Professor Gorilla wants to exterminate the human race, but once he's been defeated, Robin points out that his actions were perfectly logical. For more foreign translations that missed the mark, check out Lost In Translation: Certainly, while there are moments of despair, they are expressed using the language of comics, and its familiar iconography proves incredibly powerful in how it allows her to portray her experience while always focusing on the solution. Emond's line is agreeably scratchy and lumpy, stopping just short of grotesque as it retains an element of cuteness in this exploration of some dark, ugly places. In fact, one could even say they went a bit too far and Robin manned up so much that the comic ended up being called "Robin and the Bat," with poor Batman losing first billing and also his clothes, because in this version he seems to fight crime with just boxer shorts, a cape, and a smile. This is a story that rewards a close reading and attention to detail, yet flows smoothly and easily.
In this comic, Knetzger attempts to depict her darkest thoughts and feelings on the page in a way that's clear and easy to parse.
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Within the worlds he creates, everything follows a perfectly linear, logical series of steps and expectations. Emond's line is agreeably scratchy and lumpy, stopping just short of grotesque as it retains an element of cuteness in this exploration of some dark, ugly places. If only there was colour, it would complete the whole thing for the male. Retrofit has also published some of the best work by Josh Bayer, whose work I recently reviewed on my own High-Low blog. Knetzger's loopy line is put to fantastic use throughout the comic, subverting cuteness on every page. No cleanup reason has been specified. It's remarkably affecting and sad, as the happy ending the character experiences comes at a price.